[stats wf] indicators across stats dbs & updates in the org ids #248
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@ -0,0 +1,368 @@
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{
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"indexed": {
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"date-parts": [
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[
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2022,
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4,
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22
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]
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],
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"date-time": "2022-04-22T15:30:54Z",
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"timestamp": 1650641454218
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},
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"reference-count": 31,
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||||
"publisher": "Cambridge University Press (CUP)",
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"issue": "2",
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"license": [
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{
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"start": {
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"date-parts": [
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[
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2017,
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8,
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22
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]
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],
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"date-time": "2017-08-22T00:00:00Z",
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"timestamp": 1503360000000
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},
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"content-version": "unspecified",
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"delay-in-days": 21,
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"URL": "https://www.cambridge.org/core/terms"
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}
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],
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"content-domain": {
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"domain": [
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],
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"crossmark-restriction": false
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},
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"short-container-title": [
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"Dance Res. J."
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],
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"published-print": {
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"date-parts": [
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[
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2017,
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8
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]
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]
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},
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"abstract": "<jats:p>Gaga, a practice developed by Israeli choreographer Ohad Naharin, is one of the most popular training methods on the global dance market. Structured as a metatechnique, or a system for negotiating techniques within one's body, Gaga teaches students to both draw on and reject multiple movement techniques to create their own movement. I consider how the paradigms of choreography, technique, and improvisation are blurred together in the pedagogical model of a metatechnique and how training dancers to shift between choreographer, dancer, and improviser has significant ramifications for understanding their agency. The metatechnique model of Gaga falls in line with neoliberal values of efficiency and a wide range of skills and knowledge; this analysis provides an understanding of recent trends in dance training in relation to contemporary political and socioeconomic structures.</jats:p>",
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"DOI": "10.1017/s0149767717000183",
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"type": "journal-article",
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"created": {
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"date-parts": [
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[
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2017,
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8,
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22
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]
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],
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"date-time": "2017-08-22T13:32:38Z",
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"timestamp": 1503408758000
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},
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"page": "26-43",
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"source": "Crossref",
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"is-referenced-by-count": 10,
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"title": [
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"Gaga as Metatechnique: Negotiating Choreography, Improvisation, and Technique in a Neoliberal Dance Market"
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],
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"prefix": "10.1017",
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"volume": "49",
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"author": [
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{
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"given": "Meghan",
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"family": "Quinlan",
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"sequence": "first",
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"affiliation": [
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]
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}
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],
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"member": "56",
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"published-online": {
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"date-parts": [
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[
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2017,
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8,
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22
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]
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]
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},
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"reference": [
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{
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"key": "S0149767717000183_ref22",
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"first-page": "38",
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"article-title": "‘I Don't Want to do African … What About My Technique?’: Transforming Dancing Places into Spaces in the Academy",
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"volume": "4",
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"author": "Monroe",
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"year": "2011",
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"journal-title": "The Journal of Pan African Studies"
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},
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{
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"key": "S0149767717000183_ref8",
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"volume-title": "Discipline and Punish: The Birth of the Prison",
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"author": "Foucault",
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"year": "1995"
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},
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{
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"key": "S0149767717000183_ref24",
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"volume-title": "Sharing the Dance: Contact Improvisation and American Culture",
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"author": "Novack",
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"year": "1990"
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},
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{
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"key": "S0149767717000183_ref26",
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"doi-asserted-by": "publisher",
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"DOI": "10.1215/9780822387879"
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},
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{
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"key": "S0149767717000183_ref10",
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"doi-asserted-by": "publisher",
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"DOI": "10.1080/01472526.2015.1085759"
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},
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{
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"key": "S0149767717000183_ref4",
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"doi-asserted-by": "crossref",
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"first-page": "235",
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"volume-title": "Meaning in Motion",
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"author": "Foster",
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"year": "1997",
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"DOI": "10.1215/9780822397281-013"
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},
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{
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"key": "S0149767717000183_ref17",
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"doi-asserted-by": "publisher",
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"DOI": "10.1093/acprof:oso/9780199360369.001.0001"
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},
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{
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"key": "S0149767717000183_ref30",
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"volume-title": "The Precariat: The New Dangerous Class",
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"author": "Standing",
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"year": "2011"
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},
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{
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"key": "S0149767717000183_ref7",
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"volume-title": "Choreographing Empathy: Kinesthesia in Performance",
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"author": "Foster",
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"year": "2011"
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},
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{
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"key": "S0149767717000183_ref14",
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"volume-title": "A Brief History of Neoliberalism",
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"author": "Harvey",
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"year": "2007"
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},
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{
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"key": "S0149767717000183_ref27",
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"unstructured": "Quinlan Meghan . 2016. “Gaga as Politics: A Case Study of Contemporary Dance Training.” PhD diss., University of California, Riverside."
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},
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{
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"key": "S0149767717000183_ref11",
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"first-page": "xiii",
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"volume-title": "Taken by Surprise: A Dance Improvisation Reader",
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"author": "Gere",
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"year": "2003"
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},
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{
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"key": "S0149767717000183_ref13",
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"volume-title": "Declaration",
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"author": "Hardt",
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"year": "2012"
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},
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{
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"key": "S0149767717000183_ref29",
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"doi-asserted-by": "publisher",
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"DOI": "10.1057/9780230236844_9"
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},
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{
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"key": "S0149767717000183_ref5",
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"doi-asserted-by": "publisher",
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"DOI": "10.1057/9780230236844_6"
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},
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{
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"key": "S0149767717000183_ref28",
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"doi-asserted-by": "publisher",
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"DOI": "10.1017/S0149767700000528"
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},
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{
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"key": "S0149767717000183_ref12",
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"doi-asserted-by": "publisher",
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"DOI": "10.3998/mpub.287881"
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},
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{
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"key": "S0149767717000183_ref18",
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"first-page": "135",
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"volume-title": "Taken by Surprise: A Dance Improvisation Reader",
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"author": "Marks",
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"year": "2003"
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},
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{
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"key": "S0149767717000183_ref3",
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"doi-asserted-by": "crossref",
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"volume-title": "Bodies That Matter: On the Discursive Limits of Sex",
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"author": "Butler",
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"year": "2011",
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"DOI": "10.4324/9780203828274"
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},
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{
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"key": "S0149767717000183_ref32",
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"volume-title": "Choreographing Difference: The Body and Identity in Contemporary Dance",
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"author": "Albright",
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"year": "1997"
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},
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{
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"key": "S0149767717000183_ref16",
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"doi-asserted-by": "publisher",
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"DOI": "10.1017/S0149767714000163"
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},
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{
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"key": "S0149767717000183_ref15",
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"doi-asserted-by": "publisher",
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"DOI": "10.2307/1477803"
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},
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{
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"key": "S0149767717000183_ref21",
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"first-page": "455",
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"volume-title": "Incorporations",
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"author": "Mauss",
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"year": "1992"
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},
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{
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"key": "S0149767717000183_ref1",
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"volume-title": "The Body Eclectic: Evolving Practices in Dance Training",
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"author": "Bales",
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"year": "2008"
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},
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{
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"key": "S0149767717000183_ref9",
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"unstructured": "Gaga Movement Ltd. 2016. Gaga People. Dancers. Accessed June 28, 2016. http://gagapeople.com/english/."
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},
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{
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"key": "S0149767717000183_ref19",
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"volume-title": "Critical Moves: Dance Studies in Theory and Politics",
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"author": "Martin",
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"year": "1998"
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},
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{
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"key": "S0149767717000183_ref2",
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"volume-title": "Undoing the Demos: Neoliberalism's Stealth Revolution",
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"author": "Brown",
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"year": "2015"
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},
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{
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"key": "S0149767717000183_ref20",
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"doi-asserted-by": "publisher",
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"DOI": "10.1162/DRAM_a_00214"
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},
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{
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"key": "S0149767717000183_ref6",
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"doi-asserted-by": "publisher",
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"DOI": "10.1215/01610775-2009-016"
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},
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{
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"key": "S0149767717000183_ref23",
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"doi-asserted-by": "publisher",
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"DOI": "10.1093/acprof:oso/9780190201661.001.0001"
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},
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{
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"key": "S0149767717000183_ref25",
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"volume-title": "Flexible Citizenship: The Cultural Logics of Transnationality",
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"author": "Ong",
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"year": "1999"
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}
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],
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"container-title": [
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"Dance Research Journal"
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],
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"original-title": [
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],
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"language": "en",
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"link": [
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{
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"URL": "https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0149767717000183",
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"content-type": "unspecified",
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"content-version": "vor",
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"intended-application": "similarity-checking"
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}
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],
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"deposited": {
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"date-parts": [
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[
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2020,
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10,
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16
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]
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],
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"date-time": "2020-10-16T01:00:32Z",
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"timestamp": 1602810032000
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},
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"score": 1,
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"resource": {
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"primary": {
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"URL": "https://www.cambridge.org/core/product/identifier/S0149767717000183/type/journal_article"
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}
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},
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"subtitle": [
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],
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"short-title": [
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],
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"issued": {
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"date-parts": [
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[
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2017,
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8
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]
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]
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},
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"references-count": 31,
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"journal-issue": {
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"issue": "2",
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"published-print": {
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"date-parts": [
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[
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2017,
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8
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]
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]
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}
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},
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"alternative-id": [
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"S0149767717000183"
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],
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"URL": "http://dx.doi.org/10.1017/s0149767717000183",
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"relation": {
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},
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"ISSN": [
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"0149-7677",
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"1940-509X"
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],
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"issn-type": [
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{
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"value": "0149-7677",
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"type": "print"
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},
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{
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"value": "1940-509X",
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"type": "electronic"
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}
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],
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"subject": [
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"Visual Arts and Performing Arts"
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],
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"published": {
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"date-parts": [
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[
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2017,
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8
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]
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]
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}
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}
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@ -473,6 +473,34 @@ class CrossrefMappingTest {
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})
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}
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@Test
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def testConvertFromCrossRef2OafIssue(): Unit = {
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val json = Source
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.fromInputStream(getClass.getResourceAsStream("/eu/dnetlib/doiboost/crossref/article_nojournal.json"))
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.mkString
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assertNotNull(json)
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assertFalse(json.isEmpty);
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val resultList: List[Oaf] = Crossref2Oaf.convert(json)
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assertTrue(resultList.nonEmpty)
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val items = resultList.filter(p => p.isInstanceOf[Publication])
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assert(items.nonEmpty)
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assert(items.size == 1)
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val pub: Publication = items.head.asInstanceOf[Publication]
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assertNotNull(pub.getJournal.getIssnPrinted)
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assertNotNull(pub.getJournal.getIssnOnline)
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assertNotNull(pub.getJournal.getName)
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}
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@Test
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Loading…
Reference in New Issue